The doctoral program in Moving Image Studies at Georgia State University is pleased to present the 2014 Rendering (the) Visible conference on the role of the Figure.
For contemporary theories of visuality, as they move their focus toward process and away from representation, the notion of the Figure (or “the figural”) has become increasingly important. Emerging in French philosophy in the 1960s, the figural reacts against the notion of the “figurative,” or the representational fixity of an image; the figural refers to that which induces discord within any closed system of signification, by way of forces, energies, or intensities. This idea is taken up by Deleuze as “the Figure” in his work on Francis Bacon, where the Figure is that force of deformation which pushes the image away from the cliché which continually haunts it. The Figure thus moves our attention toward gesture, rhythm, modulation, and resonance within –and at the edges of– the moving image, whether we’re talking about Eisenstein’s neuro-aesthetics or the dynamic assemblages of first-person shooter games.
We look forward to a vibrant, meta-disciplinary discussion of how the Figure might provide new avenues for thinking about contemporary media, as well as for reconsidering the history of the moving image in the 20th century.